06/11 Tempêtes #10 @ Périscope, Lyon
Borguefül (fr)
trad xp
Borguefül is all about sensations, mountains, stones, rain, cracks, wind, fluids, monsters, nights. A lot of earth. A lot of dust.
mélanie loisel | double bass & voice
She’s Analog (it)
weird jazz journey
“No longer, not yet”, the second album from the Italian band “She’s Analog”, is an “instant film” that pretentiously tries to stop movement. The title refers to a zone of transit, in which everything unfolds and blooms.
This space isn’t interpreted as exclusively musical; instead it represents that liminal space in which we move and create, both detaching from what we leave behind, and being open to what could happen in the future.
Stefano Calderano | guitar, percussion
Luca Sguera | piano, prophet, percussion
Giovanni Iacovella | drums, live electronics
OD Bongo (fr)
solid beats & noisy grooves
Using various drum machines, the duo blend genres such as techno, dub, noise and industrial
Amédée De Murcia | synthetiser
Edouard Ribouillaut | sequencer, sampler, effects, mixing desk
07/11 Tempêtes #11 @ GZ, Vaulx-en-velin
Simone Aubert (ch)
Quadriphonic solo immersive experience
Avec sensibilité, jouer des tensions entre force et fragilité, douceur et violence, passant de phases musicales mélodiques à l’exploration bruitiste et dissonante des musiques transgressives....
Chez Simone le mot punk c’est prendre soin, explorer, affirmer, faire bouger, faire une pause, contempler, augmenter le cardio et fuir au grand air.
Musicienne poly trucs, elle monte des projets qui ont de belles vies et rassemblent autour d’elle des êtres qui malgré un désespoir intime et mondial cultivent une joie cousine à la colère, seul ingrédient probant pour tenir debout.
Dispositif voix et bidouilles computées. Quadriphonie immersive.
simone aubert | electronics
Parquet (fr)
rough techno / avant-rock live band
guillaume magne | guitar
nicolas cueille | guitar
jean-françois riffaud | bass & synth bass
simon henocq | electronics
seb brun | drums & electronics
Grischa Lichtenberger (de)
IDM
Grischa Lichtenberger’s music exists at the uneasy intersection of abstraction and tactility, a body of work that mutates in real-time, bristling with the erratic energy of a hard-drive on the verge of collapse, crowing a memento mori
grischa lichtenberger | electronics, installation, multimedia & visual art